Download A Study in Greene: Graham Greene and the Art of the Novel by Bernard Bergonzi PDF

By Bernard Bergonzi

Bernard Bergonzi has been interpreting Graham Greene for a few years; he nonetheless possesses the unique version of The finish of the Affair that he obtained whilst it used to be released in 1951. After lots fresh awareness to Greene's existence he believes it's time to go back to his writings; during this severe learn Bergonzi makes a detailed exam of the language and constitution of Greene's novels, and strains the obsessive motifs that recur all through his lengthy occupation. so much prior feedback used to be written whereas Greene used to be nonetheless alive and dealing, and used to be to a point provisional, because the ultimate form of his paintings used to be now not but obvious. during this booklet Bergonzi is ready to take a view of Greene's complete profession as a novelist, which prolonged from 1929 to 1988. He believes that Greene's prior paintings used to be his most sensible, combining melodrama, realism, and poetry, with Brighton Rock, released in 1938, an ethical myth that attracts on crime fiction and Jacobean tragedy, because the masterpiece. The novels that Greene released after the Fifties have been very expert examples of skilful story-telling yet represented a decline from this excessive point of feat. Bergonzi demanding situations assumptions concerning the nature of Greene's debt to cinema, and makes an attempt to elucidate the complexities and contradictions of his non secular principles. even though this booklet engages with questions that come up in educational discussions of Greene, it truly is written with common readers in mind.

Show description

Read or Download A Study in Greene: Graham Greene and the Art of the Novel PDF

Similar english literature books

The Augustan Art of Poetry: Augustan Translation of the Classics

Whereas prior reports have focused mostly upon political matters, The Augustan artwork of Poetry is an exploration of the impression of the Roman Augustan aesthetic on English neo-classical poets of the 17th and eighteenth centuries. on the end of his translation of Virgil, Dryden claims implicitly to have given English poetry the type of refinement in language and magnificence that Virgil had given the Latin.

Imagining the Anglo-Saxon Past: The Search for Anglo-Saxon Paganism and Anglo-Saxon Trial by Jury

E. G. Stanley has a global acceptance as a number one Anglo-Saxonist, and his perceptive and unique contributions to the sector stay wanted by means of Anglo-Saxon students. the 2 subject matters incorporated during this publication are only such experiences. `The look for Anglo-Saxon Paganism' strains an perspective between writers on Anglo-Saxon literature which exalts no matter what is primitive and supposedly pagan or crypto-pagan within the surviving outdated English texts of the early Christian heart a while, as established within the paintings of such luminaries as Jacob Grimm and J.

Conrad's Lord Jim: A Transcription of the Manuscript.

Written in 1899-1900, Lord Jim is among the key works of literary Modernism. a singular of massive energy, it hasn't ever been out of print, attracting readers for over a century and variously influencing the advance of twentieth-century fiction. This page-by-page transcription of the surviving manuscript and fragmentary typescript deals a privileged glimpse into the writer's workshop, permitting a reader to stick with heavily the evolution of personality, narrative method, and subject matters.

Additional info for A Study in Greene: Graham Greene and the Art of the Novel

Example text

Everything depended on his next novel, Stamboul Train; here, finally, he directs his attention at contemporary English life; or at least a small segment of it travelling across Europe from Ostend to               Constantinople (as Istanbul was still known) as passengers on the Orient Express. Greene observed, ‘for the first and last time in my life I deliberately set out to write a book to please, one which with luck might be made into a film. ’ The film was not made for some time, but the novel was well enough received for it to be the choice of the English Book Society, which revived Greene’s fortunes for a while.

In It’s a Battlefield Kay and Jules have ended their rural idyll with an unsatisfactory sexual encounter and the mutual realization that they are not right for each other. But they are young and can still hope. Whatever Greene’s own political views when he was writing it, It’s a Battlefield is a pessimistic novel, which one can see as the work of the Augustinian Christian that Evelyn Waugh a few years later proclaimed Greene to be. It is in evident ways immature and overambitious, and too much in Conrad’s debt.

If Greene ever had an alter ego he might have been called Henry Brown. Jokes and private references provide a strand of unity in his large fictional oeuvre, signalling the presence of the hidden author. Greene’s critics have been very ready to find a deeper unity in the persistence of the themes of betrayal and lost innocence, notwithstanding the wide range of social and geographical settings. Roger Sharrock has referred to a ‘fresh disguise for the single novel he is writing all the time’, and remarks, ‘Greene’s obsessional, almost neurotic drive constantly reasserts itself so that it is nearer to the truth to express change as a reshuffling of the cards, not the introduction of a new pack’5.

Download PDF sample

Rated 4.33 of 5 – based on 44 votes