By Blair Kilpatrick
By way of age thirty-nine, Blair Kilpatrick had settled into existence as a practising psychologist, spouse, and mom. Then an opportunity come upon in New Orleans grew to become her global the other way up. She lower back domestic to Chicago with not likely new passions for Cajun tune and its defining tool, the accordion. Captivated through ordinary desires of taking part in the Cajun accordion, she got down to grasp it. but she was once now not a musician, used to be too self-conscious to bounce, and did not even sing within the bathe. Kilpatrick's obsession took her from Chicago's Cajun dance scene to a folks tune camp in West Virginia, from side to side to south Louisiana, or even to a Cajun pageant in France. An unforeseen kinfolk flow introduced her to the San Francisco Bay zone, domestic to the most important Cajun-zydeco tune scene outdoor the Gulf Coast. There she grew to become a prot?g? of popular accordionist Danny Poullard, a Louisiana-born Creole and the guiding spirit of the neighborhood Louisiana French song neighborhood. attractive, uplifting, and illuminating a special patch of the yank cultural panorama, Accordion desires is Kilpatrick's account of the opportunity of ardour, risk-taking, and change--at any age. Blair Kilpatrick has an self sufficient perform in psychotherapy within the San Francisco Bay region. She additionally plays and files with Sauce Piquante, a standard Cajun-Creole band she based within the overdue Nineteen Nineties. research extra at www.blairkilpatrick.com
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Extra info for Accordion Dreams: A Journey into Cajun and Creole Music
Our guesthouse provided a fine base for exploring the French Quarter, along with side trips to the leafy Garden District and the Audubon Zoo. Although we didn’t spend much time there, our antique-filled suite looked sunny and charming by day. But at night, 37 we heard strange noises, and then we began to notice lights turning on unexpectedly and cabinet doors swinging open by themselves. ” we asked each other, savoring the tantalizing story not even the boys quite believed. When we set out for the two-hour drive to Lafayette, I had visions in my head, a distillation of all those hours of listening to Cajun music.
Mostly, I listened during my commute— on foot and by train—to and from the hospital. After awhile, I hardly needed the tapes, because the music kept playing itself inside my head. Eventually, the music began to seep into my dreams. But I never danced at night, during my Cajun music dreams. I played the accordion— completely at one with the instrument, the music gliding out of me with no effort at all. I’d wake up enchanted—and surprised— since it had never occurred to me that I could try to create this music myself.
Let’s go to Lafayette. We’ll call you Missus, Missus”Sly” Comeaux. When we reached Lafayette, my first reaction was disappointment, because the place looked so ordinary—and American. One of the city’s main motel strips lined a highway named after Evangeline, Longfellow’s Acadian heroine. As soon as we checked into our room at one of the big national chains, I began to long for our picturesque guesthouse back in the French Quarter. Lafayette reminded me of another small southern city—Durham, North Carolina, where Steve and I had lived in the mid-seventies.